MediaCity Post – formerly known as dock10 – has cemented its reputation as one of the UK’s leading post-production facilities following its work on Michelle Keegan’s latest show.
MediaCity Post has completed the full picture post-production for Quay Street Productions’ forthcoming ITV drama, The Blame.
Starring Michelle Keegan as DI Emma Crane and Douglas Booth as DI Tom Radley, The Blame follows two detectives in the fictional town of Wakestead as they uncover a complex web of secrets, lies and systemic corruption during a murder investigation.
The complexity of the drama’s storyline is matched by the level of technology and expertise behind the camera.
The project marks another chapter in MediaCity Post’s longstanding relationship with executive producers Nicola Shindler and Richard Fee, as well as the Quay Street Productions team, which is part of ITV Studios.
Previous collaborations include global Netflix hit Fool Me Once, the streaming platform’s worldwide number one series of 2024, as well as Missing You, Run Away, After the Flood and Tip Toe.
Starring Michelle Keegan as DI Emma Crane and Douglas Booth as DI Tom Radley, The Blame follows two detectives in the fictional town of Wakestead
Jon Nunn, commercial manager at MediaCity Post, said: “Every production brings its own creative and technical challenges, and The Blame was no exception. Working closely with the team at Quay Street Productions, we were able to develop workflows that supported the production from the moment the cameras stopped rolling on location in London, smoothly through to final post delivery at our base in MediaCity.”
Emily Brauders, post-production executive for Quay Street Productions, said: “Having worked with MediaCity Post for many years now, teaming up with them on The Blame was an absolute pleasure as always. The team consistently go above and beyond for both the creative vision and the deadlines!”
For The Blame, MediaCity Post delivered end-to-end post-production services, including rushes ingest, offline editing, online editing, colour grading, quality control and final delivery.
With principal photography taking place largely in and around London, the team designed a bespoke remote workflow that enabled the production to transfer camera media securely without the need for daily physical transportation.